Back in April of ought-eight, DJ Godtrilla 3K (ATL/LA) cued up the turntables in the deep forested West Sussex Studio for a little twitterpatin'. REMOTE CONTROL is a smooth succession of Caribbean and African sides, along with a little narration from the one-and-only Charlton Heston. Uplift your consciousness as you step into spring. Download link here.
Dookie Platters is assuming his government name and writing for Atlanta newspaper Crib Notes blog. Check out the first post on Yung Joc 's Atlanta-to-Africa connections. Crib Notes is focused on Atlanta's local musical happenings, so we'll still be posting that international goodness here at Polyrhythmiques on our normal erratic basis.
Brasil-based producer, deejay, and remixer Maga Bo recently dropped another 40-minute mix of impossibly unclassifiable heat. Vocalists from all corners attack the mic over a stew of diverse drum patterns, dub-hall basslines, and electronic flourishes. Surprisingly pleasing stuttering cellphone speaker buzz shows up in track three for that special touch of genius. Check here for the tracklist, here for Maga Bo's slightly more drum-n-bass-y Os Cacos mix, and look down for his outstanding collaboration "Fire" with Senegalese emcee Xuman (from 2008's Archipelagoes on Soot Records).
(special shout out to my man John R. aka DJ Gnosis over at Black Century for this posting's title.)
As infrequently as this blog is updated, rest assured it is even more infrequently read. Surprisingly, that didn't stop the good folks at World Circuit Records (of Buena Vista Social Club fame) from stopping by to drop off a copy of their latest release from two musical legends. 'Kala Djula' is an instrumental number from Malian recording artists Ali and Toumani (not to be confused with this duo), better known as Ali Farka Touré and Toumani Diabaté. The tune displays the virtuosity of these two incredibly diverse African musicians, with Touré on guitar, and Diabaté on the countrymen's native stringed gourd, the kora. The result is a beautiful balance of dancing melodies, more reminiscent of an 19th-century Italian drawing room than a 21st-century "digital single." The album Ali & Toumani is available on itunes, amazon, etc. and "Kala Djula' is streaming on World Circuit here. I first heard Ali Farka Touré on 1994's Talking Timbuktu with perennial "world musician" (and guitar legend in his own right) Ry Cooder. Although Touré passed in 2006, he is still recognized by many as one of the greatest guitar players to walk the planet. The link between West African music and the American blues is all but invisible when Touré picked up his instrument. I'll let him explain it in his own words...
Few places better define the musical diaspora than Cuba. African and Spanish rhythms conspired here to create countless genres, one of the most popular (and exportable) being the rumba. Of course, anybody with a Lowery Odyssey is familiar with the "Rhumba" setting, but the beat's origins are a far cry from ballrooms and big band LPs. 1984's Roots of Rhythm, hosted by none other than Harry Belafonte, highlights the global success of Latin music, but more importantly finds the rumba alive (at least alive 25 years ago) in the streets of Matanzas, Cuba...
Perhaps the streets of Matanzas still breathe these rumba roots, as 2006'sLa Fuerza del Tambor provides us with this glimpse of Cuban life...
Columbia's Bomba Estereo light it up with the lead single off of their latest album, "Blow Up." Thier brand of la cumbia sicodelica presented in video form pretty much sums up the party Polyrhythmiques wishes it could be: A pulsing beat that begs your partner to dance a little closer, vocalist Liliana Saumet with an uber cute haircut spitting tough rhymes, and a dude break dancing with a patio chair. Out now on Nacional Records.
